Weddings, Landscapes, Macros, and Websites

Post twenty-six.

Whew, what a ride!

This past week, I redesigned pieces of my website, procured a macro adapter, shot a going away party for a coworker, shot a wedding, and shot some landscapes.

I’ll not be posting the going-away-party photos as it was a private function, but here’s some of the macro test shots for fun:

I was reasonably impressed with this macro adapter.  Essentially, it’s a magnifying glass that screws onto the end of my expensive portrait lenses for the purpose of getting ultra close-up detail shots (e.g. wedding rings, baby toes/fingers etc). I don’t feel like spending a ton on a true macro lens since macro photography isn’t what I’m all about, however this will be good to have for those rare situations that I need one. Well, that worked…check!

Next was the wedding.  This was so much fun to shoot!  Here’s one photo, but out of respect for the couple, I won’t release the rest until the clients have had their private photo reveal.


During the wedding and reception, I shot using only prime lenses.  Over the four hours, I used my 35mm Sigma Art f/1.4, 50mm Nikkor f/1.8, and 85mm Nikkor f/1.8.  I find the increase in quality for using prime lenses is well worth the inconvenience of having to swap lenses every so often.

Finally, as recently as this evening, I had a blast getting out with Ashley and shooting some simple landscape and nature photos while on a stroll around town. Here are a few of them:





Anyway, that’s about all I have for now.  Check back in soon; I have a wedding to catch you up on soon!

Thanks for reading!





Lighting Tools and Techniques

“Ask yourself, ‘Why am I seeing and feeling this? How am I growing? What am I learning?’ Remember: Every coincidence is potentially meaningful.”
– Ansel Adams

Post twenty-five.

Even for the most experienced of photographers, reaching a certain point in their career doesn’t mean they’re done learning. Just like any other profession, there is always room to further one’s understanding and capabilities. On that note, I’ve again been doing some “continuous learning” lately, working to expand my suite of tools, and my understanding for how and when to use them (and when not).

Tools and Technique

I’ve read up on lighting techniques to a fair degree.  From simple to advanced, I find that in using lighting, having an understanding of how light works to convey mood and feeling in an image is more important than simply throwing money at the problem.  That is to say, the fanciest lighting gear means very little in the hands of someone who doesn’t know why or when they need it.

“But isn’t making a portrait as simple as framing a shot and clicking a button?”

Having used almost exclusively natural lighting in my portraits to date (with exception of Vera’s recent photo shoot), I was anxious to expand my capabilities and unlock another level of creativity and control over my lighting. So, I started off with a single speedlight and a remote trigger.  However, I found that in some circumstances, while a single light could definitely offer value, it was lacking in that it could sometimes cause shadows in the portrait that I wasn’t a fan of.  Alas it wasn’t long before I procured a second speedlight and began operating them both remotely and in tandem.

Example of using two lights in tandem.  One is sitting near the subject, while the other is less obvious, sitting by the fence on camera left.  This was a test shot only; during a real portrait session, both flashes would typically be mounted on stands.

Today, I find that I can still create nice portraits with natural light – but having the added ability to pull in a couple of remote flashes to open up shadows and lower the dynamic range between the subject and background – can be quite useful. Below are some example shots of using this lighting in outdoor portraits.

Example Images


You’ll notice that in a few of these photos, I have the subject posing in shaded areas, with their back to the natural light source (sun). I then have configured my lighting equipment to cast lighting on the subject as she faces me. Normally, with a bright light source behind the subject, these photos would have too great a range from the darkest points (i.e. subject’s face and clothing) to the lightest points (the background).  However, illuminating my subject allows me to bring the subject and background into a much closer level of relative light (aka dynamic range).  This ultimately lends a capture that my sensor can cleanly record, as opposed to me having to use other techniques such as HDR which are rather impractical and unrealistic for everyday portrait work.  Alas, as the photographer, I’d have to scout another location to shoot the subject.  Instead of moving locations, this lighting setup allows me to take advantage of yet another photographic opportunity.









Of course, at the end of the test shoot, we had to snag a couple of captures of the sunset itself:



That’s all for now.  Thanks for reading!

Vera photo shoot round 2!

“Our feet tell a story of where we have been and hold the hopes and dreams of where we will go.”

Post twenty-four.  Since the last session, I have:

  • procured a decent amount of lighting equipment – flashes and modifiers
  • updated the structure of to include reflect my two passions in photography – portraiture and architecture
  • published my rate structure on the parent site

Now onto the fun part.  Had a fun little themed portrait session with Vera this past weekend.  She’s simply too cute!  Check out the finished work:


That’s all for now, but there’s a lot more on its way . . . check back soon or subscribe to my blog using the link in the lower-right!!